自从远古的岩画时期，牛就是人类艺术的描绘对象，无论在东方还是西方，都是如此，因为牛力大无比，勤于劳作，他甚至是爱的象征：“俯首甘为孺子牛”，是无私奉献的榜样：他，吃的是草，挤出来的是奶。到了唐宋时期，独具特色的中国画从成熟走向了高峰。唐代的韩晃和宋代的李迪，张择端都是画牛的高手。现代长于画牛的有齐白石，徐悲鸿，李可染等等。
▲ 牛的故事 丨97cm×180cm丨
我在创作《牛的故事》的时候，在观念上采用取其一点不及其余的思路，用极度夸张手法表现牛的力量和坚韧。在形式上，完全颠覆传统中国画的图式，竭尽全力营造冲击力和感染力，把牛的形象和牛的特性融为有机的一体。
我借《牛的故事》呼唤正义：咏 牛起步在远古，至今还在走。迢迢蹄下路，扑扑背上土。隆隆我辈来，瞻前不顾后。路遇不平处，一踏变通途！▲ 双牛 丨34cm×68cm丨
我藐视邪恶，渴望公平！As early as the prehistoric ages, the image of the ox served as the target of artistic depiction in both the East and the West. The ox is depicted as a symbol of power, hardworking, even of love and contribution. During the Tang and the Song Dynasties, Chinese traditional painting gradually reached the highest level. Han Huang (?-329 A.D.) of the Tang Dynasty, Li Di (917-1047 A. D.) and Zhang Zeduan (1085 - 1145 A.D.) of the Song Dynasty, were all well known masters of ox painting. In modern times, Qi Baishi (1864-1957), Xu Beihong (1896-1953), and Li Keran (1907-1989) were the most outstanding.
▲ 牛的故事：几许头 丨68cm×68cm丨
When I created “The Ox Story Series”, I focus on the concern of power and justice by exaggerating, to the extreme, certain parts of the ox body to represent two most prominent characteristics of the animal: power and tenacity. Formally, I try to break away from tradition and do my best to bring about the shocking and appealing quality of the painting.
Ode to the Oxen
Q.X. Wang
Setting out in Prehistoric Ages,
Till today the journey is not yet done.
With dust
Our backs are covered,
To the Horizon
The road under beneath our hooves extends.
Rumbling the Earth,
Here WE come!
The path is made smooth,
Once we set our hooves on anything uneven.
I defy evil and yearn after justice.
▲ 五牛图 丨45cm×68cm丨
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西班牙国家德比，世界足坛最伟大的对决之一。北京时间4月11日凌晨，西甲第30轮，皇马主场迎战巴萨。本泽马和克罗斯连进2球，明格萨为巴萨扳回1球，卡塞米罗染红，皇
